From Wikipedia, the free encyclopedia
Hank Williams (September 17, 1923 – January 1, 1953) was an American singer and songwriter and musician who has become an icon of country music and one of the most influential songwriters of the 20th century. A leading pioneer of the honky tonk style, he had numerous hit records, and his charismatic performances and succinct compositions increased his fame. His songbook is one of the backbones of country music, and several of his songs are pop standards as well. He has been covered in a range of pop, gospel, blues and rock styles. His death at the age of twenty-nine helped fuel his legend. His son (Randall) Hank Williams, Jr., nicknamed "Bocephus", his daughter Jett Williams, and his grandchildren (Shelton) Hank Williams III, Holly Williams, and Hilary Williams are also professional singers.
Early life
Hiram King Williams was born in a log cabin in Mount Olive West, Alabama, to Elonzo Huble "Lon" Williams and Jessie Lillybelle "Lillie" Skipper. He was named after Hiram I of Tyre, but his name was misspelled as "Hiriam" on his birth certificate.[1] As a child he was nicknamed "Harm" by his family. He was born with a mild undiagnosed case of spina bifida occulta, a disorder of the spinal column, which gave him lifelong pain — a factor in his later abuse of alcohol and drugs. He was Lon and Lillie's third and last child together, preceded by a brother who died shortly after birth, and sister Irene.
His father was an employee for a lumber company railway line and was frequently transferred by his employer and the family lived in many Southern Alabama towns. In 1930, when Williams was seven years old, his father began suffering from face paralysis. At a Veterans Affairs clinic in Pensacola, Florida, doctors determined that the cause was a brain aneurysm, so they sent Elonzo Williams to the VA Medical Center in Alexandria, Louisiana. Lonnie remained hospitalized for eight years and was therefore mostly absent throughout Hank's childhood.
In 1931, Lillie Williams settled her family in Georgiana, Alabama, where she worked as the manager of a boarding house. She managed to find several side jobs to support her children, despite the bleak economic climate of the Great Depression. She worked in a cannery and served as a night-shift nurse in the local hospital. Hiriam and Irene also helped out by selling peanuts, shining shoes, delivering newspapers, and doing other simple jobs. With the help of U.S. Representative J. Lister Hill, the family began collecting Lon's military disability pension. Despite Lon's medical condition, the Williams family managed fairly well financially throughout the Depression.
In 1933, Hank Williams moved to Fountain, Alabama, to live with his uncle and aunt, Walter and Alice McNeil (nee Skipper). Meanwhile, his cousin Opal McNeil moved in with the Williams family in Georgiana to attend the high school there. His aunt Alice taught him to play guitar, while his cousin, J.C. McNeil, taught him to drink whiskey.
In the fall of 1934, the Williams family moved to Greenville, Alabama, where Lillie then opened a boarding house next to the Butler County courthouse. In 1937, Williams got into a fight with his physical-education coach. Furious with the coach, his mother demanded that the school board fire him. When the school board refused to take action, she decided to move the family to Montgomery.
Career
Early career
In July 1937, the Williams and McNeil families opened a boarding house on South Perry Street in downtown Montgomery. It was at this time that Hiram decided to informally change his name to Hank, a name which he said was better suited to his desired career in country music. After school and on weekends, Williams sang and played his Silvertone guitar on the sidewalk in front of the WSFA radio studios. He quickly caught the attention of WSFA producers, who occasionally invited him to come inside and perform on air. So many listeners contacted the radio station asking for more of the "Singing Kid" that the producers hired him to host his own fifteen-minute show, twice a week for a weekly salary of fifteen dollars.
In August 1938, Lon Williams was temporarily released from the hospital, and he showed up unannounced at the family's home in Montgomery. Lillie was unwilling to let him reclaim his position at the head of the household, so he stayed only long enough to celebrate Hank's birthday in September before he returned to the medical center in Louisiana.
Williams' successful radio show fueled his entrance to a music career. His generous salary was enough for him to start his own band, which he dubbed the Drifting Cowboys. The original members of the band were guitarist Braxton Schuffert, fiddler Freddie Beach, and comic Smith "Hezzy" Adair. James E. (Jimmy) Porter was the youngest Drifting Cowboy, being only 13 when he started playing Steel Guitar for Hank. Arthor Whiting was also a guitarist for The Drifting Cowboys. The Drifting Cowboys traveled throughout central and southern Alabama, performing in clubs and at private parties. Hank dropped out of school in October, 1939, so that the Drifting Cowboys could work full time.
Lillie Williams stepped up to be the Drifting Cowboys' manager. She began booking show dates, negotiating prices, and driving them to some of their shows. Now free to travel without Hank's school schedule taking precedence, the band was able to tour as far away as western Georgia, and the Florida Panhandle. Meanwhile, Hank returned to Montgomery every weekday to host his radio show.
The American entrance into World War II in 1941 marked the beginning of hard times for Hank Williams. All his band members were drafted to serve in the military, and many of their replacements refused to continue playing in the band because of Hank's worsening alcoholism. His idol, Grand Ole Opry star Roy Acuff, warned him of the dangers of alcohol, saying "You've got a million-dollar voice, son, but a ten-cent brain."[2] Despite Acuff's advice, Williams continued to show up for his radio show intoxicated, so in August 1942, WSFA fired him due to "habitual drunkenness."
Later career
Williams had 11 number one hits in his career—"Lovesick Blues", "Long Gone Lonesome Blues", "Why Don't You Love Me?", "Moanin' the Blues", "Cold, Cold Heart", "Hey Good Lookin'", "Jambalaya (On the Bayou)", "I'll Never Get Out of This World Alive", "Kaw-Liga", "Your Cheatin' Heart", "Take These Chains From My Heart"—as well as many other top-ten hits.
1940s
In 1943, Williams met Audrey Sheppard, whom he married a year later. Sheppard also became his manager as Williams's career was rising, and he became a local celebrity. In 1946, Williams recorded two singles for Sterling Records—"Never Again" (1946) and "Honky Tonkin'" (1947)—both of which were successful. Williams soon signed with MGM Records, and released "Move It On Over", a massive country hit. In August 1948, Williams joined the Louisiana Hayride, broadcasting from Shreveport, Louisiana, propelling him into living rooms all over the southeast. After a few more moderate hits, Williams released his version of Rex Griffin's "Lovesick Blues" in 1949, which became a huge country hit and crossed over to mainstream audiences. That year, Williams sang the song at the Grand Ole Opry, where he became the first performer to receive six encores. In addition, Hank brought together Bob McNett (guitar), Hillous Butrum (bass), Jerry Rivers (fiddle) and Don Helms (steel guitar) to form the most famous version of the Drifting Cowboys; also that year, Audrey Williams gave birth to Randall Hank Williams (Hank Williams, Jr.). 1949 also saw Williams release seven hit songs after "Lovesick Blues", including "Wedding Bells", "Mind Your Own Business", "You're Gonna Change (Or I'm Gonna Leave)" and "My Bucket's Got a Hole in It".
"Luke the Drifter"
In 1950, Williams began recording as Luke the Drifter, an appellation given to Williams for use in identifying his religion-themed recordings, many of which are recitations rather than his usual crooning. Fearful that disc jockeys and jukebox operators would become hesitant to accept these non-traditional Williams recordings, thereby hurting the marketability of Williams' name, the name Luke the Drifter was employed to cloak the identity of the artist. Around this time, Williams released more hit songs, such as "My Son Calls Another Man Daddy", "They'll Never Take Her Love from Me", "Why Should We Try Any More?", "Nobody's Lonesome for Me", "Long Gone Lonesome Blues", "Why Don't You Love Me?", "Moanin' the Blues" and "I Just Don't Like This Kind of Livin'". In 1951, "Dear John" became a hit but the B-side, "Cold, Cold Heart", has endured as one of his most famous songs, aided by the #1 pop version by Tony Bennett in 1951 being the first of many recordings of Williams's songs in a non-country genre. ("Cold, Cold Heart" has subsequently been covered by Guy Mitchell, Casino Steel, Teresa Brewer, Dinah Washington, Lucinda Williams, Cowboy Junkies, Frankie Laine, Jo Stafford, and Norah Jones, among others). That same year, Williams released other hits, including "Crazy Heart".
Personal life
On December 15, 1944, Williams married his first wife, Audrey Williams. It was her second marriage and his first. Their son Hank Williams, Jr. was born on May 26, 1949.
Hank Williams' marriage, always turbulent, was rapidly disintegrating, and he developed a serious problem with alcohol, morphine and other painkillers prescribed for him in an effort to ease his severe back pain caused by his spina bifida. Williams and his wife were divorced on May 29, 1952.
In 1952, Williams moved in with his mother, even as he released numerous hit songs, such as "Half as Much", "Jambalaya (On the Bayou)", "Settin' the Woods on Fire", "You Win Again" and "I'll Never Get Out of This World Alive". Williams's drug problems continued to spiral out of control as he moved to Nashville and officially divorced his wife. A relationship with Bobbie Jett during this period resulted in a daughter, Jett, who would be born just after his death.
On August 11, 1952, Williams was fired from the Grand Ole Opry. Told not to return until he was sober, he instead rejoined the Louisiana Hayride. On October 18, 1952, he married Billie Jean Jones Eshlimar (born 1933). It was a second marriage for both (both having been divorced with children). A ceremony was held at the Shreveport Municipal Auditorium and 14,000 people bought tickets to attend. Soon after, the Drifting Cowboys decided to part ways with Williams. Their departure was due to Williams drinking more than a show would pay.[citation needed] Following his death, his widow married Johnny Horton in 1953. She was again widowed in 1960 when Horton was killed in a car crash.
Death
This stone marks the entrance to the Oakwood Cemetery in Montgomery, Alabama where Hank Williams is interredOn January 1, 1953, Williams was due to play in Canton, Ohio, but he was unable to fly due to weather problems. He hired a chauffeur and, before leaving the old Andrew Johnson Hotel in Knoxville, Tennessee, injected himself with vitamin B12 and morphine. He was then left in a Cadillac, though contrary to popular belief, he did not have a bottle of whiskey with him. The only items found in the backseat of his car were a few cans of beer and the hand-written lyrics to an unrecorded song.
When the 17-year-old chauffeur Charles Carr pulled over at an all-night service station in Oak Hill, West Virginia, he discovered that Williams was unresponsive and becoming rigid.[3] Upon closer examination, it was discovered that Hank Williams was dead. He was 29. Controversy has since surrounded Williams' death, with some claiming Williams was dead before leaving Knoxville.[4]
Williams' final single was ironically titled "I'll Never Get Out of This World Alive". Five days after his death, his daughter by Bobbie Jett (Jett Williams) was born. His widow, Billie Jean Jones, married country singer Johnny Horton in September 1953. "Your Cheatin' Heart" was written and recorded in 1952 but released in 1953, after his death. The song stayed at number one in country charts for six weeks. The story goes that Williams was prompted to write the song when thinking about his first wife, Audrey Williams, while driving around with his second, Billie Jean Williams; she is supposed to have written down the lyrics for him in the passenger seat. Williams collaborated with Nashville songwriter Fred Rose to produce the song's final draft before recording the song in his last ever recording session, on September 23, 1952. The song provided the title of a 1965 biopic about Williams, which starred George Hamilton.
Legacy and influence
A life-size statue of Williams stands in downtown Montgomery, Alabama, where he began his music careerHis son Hank Williams, Jr., daughter Jett Williams, grandson Hank Williams III, and granddaughters Hilary Williams and Holly Williams are also country musicians.
Williams ranked #2 in CMT's 40 Greatest Men of Country Music in 2003, behind only Johnny Cash. His son, Hank, Jr., ranked #20 on that same list.
Hank Williams' remains are interred at the Oakwood Annex in Montgomery, Alabama. His funeral was said to have been far larger than any ever held for a citizen of Alabama and is still, as of 2005[update], the largest such event ever held in Montgomery. As of 2007[update], more than 50 years after Williams' death, members of his Drifting Cowboys continue to tour.
In 2004, Rolling Stone ranked him #74 on their list of the 100 Greatest Artists of All Time.[5] The website "Acclaimedmusic" collates recommendations of albums and recording artists. There is a year-by-year recommendation for top artists. For the period 1940–1949, Hank Williams is ranked as number 1 for his song "I'm So Lonesome I Could Cry". It is notable that many of the white Rock'n'Roll pioneers of the 1950s, such as Elvis presley, Gne Vincent, Carl Perkins and Jerry Lee Lewis recorded Hank Williams songs early in their careers.
In February 2005, the Tennessee Court of Appeals upheld a lower court ruling stating that Hank Williams' heirs—son Hank Williams Jr. and daughter Jett Williams—have the sole rights to sell his old recordings made for a Nashville, Tennessee radio station in the early 1950s. The court rejected claims made by Polygram Records and Legacy Entertainment in releasing recordings Williams made for the Mother's Best Flour Show, a program that originally aired on WSM-AM. The recordings, which Legacy Entertainment acquired in 1997, include live versions of Williams' hits and his cover version of other songs. Polygram contended that Williams' contract with MGM Records, which Polygram now owns, gave them rights to release the radio recordings. Jett Williams stated on her website in August 2007 that the "Mother's Best" recordings should be released in 2008.[6]
วันอาทิตย์ที่ 10 พฤษภาคม พ.ศ. 2552
Cliff Richard
From Wikipedia, the free encyclopedia
Cliff Richard in 2006.
Background information
Birth name Harry Roger Webb
Born 14 October 1940 (1940-10-14) (age 68)
Lucknow, United Provinces, British India
Origin London, England, UK
Genre(s) Rock and roll/Pop/Gospel
Occupation(s) Singer/Songwriter, actor and entrepreneur
Instrument(s) Vocals, Guitar
Years active 1958 – present
Label(s) EMI, Decca, Columbia, Epic, Rocket, Papillon
Associated acts The Shadows
Website CliffRichard.org
Sir Cliff Richard OBE (born Harry Roger Webb on 14 October 1940[1]) is an English singer-songwriter and entrepreneur.
With his backing group The Shadows, Richard dominated the British popular music scene in the late 1950s and early 1960s, before and during The Beatles' first year in the charts. A conversion to Christianity and subsequent softening of his music led to his having more of a pop than rock image. He never achieved the same impact in the United States despite several chart singles there, but he has remained a popular music, film, and television personality in the United Kingdom and he retains a following in other countries.
During six decades, Cliff Richard has charted many singles, and holds the record (with Elvis Presley) as the only act to make the UK singles charts in all of its decades (1950s–2000s). He is the only singer to have had a number one single in the UK in five consecutive decades, doing so from the 1950s through to the 1990s. On the British charts, Richard has had more than 130 singles, albums and EPs make the top 20, more than any other artist.[2] He has sold more than 260 million records.[3]
Biography
[edit] 1940–1958: Childhood
Cliff Richard was born to Anglo-Indian parents, at the King George Hospital, Victoria Street, in Lucknow, British India, to Rodger Oscar, a train driver of Indian Rail, and Dorothy Marie (born Dazely) Webb. He was christened on 2 November, 1940 at St Thomas' Church, Dehradun, India. In 1947[?] , following Indian independence, the family moved to Britain.
The Webbs moved from comparative wealth in India where they had servants, to a lower standard of living in Newton Aycliffe, County Durham and were eventually allocated a sub-standard council bungalow. They remained here for three years until 1951, when they were allocated a council house in Cheshunt, Hertfordshire, where Harry attended the local Cheshunt Secondary School which was later renamed Cheshunt School.
Webb became interested in skiffle and formed the Quintones vocal group in 1957. He then sang in the Dick Teague Skiffle Group.
1958–1963: Success and stardom
Harry Webb became lead singer of a rock and roll group, The Drifters (not to be confused with the U.S. group of the same name). Before their first large scale appearance, at the Regal Ballroom in Ripley, Derbyshire, in 1958, they adopted the name "Cliff Richard and the Drifters". The four members were Webb, Ian "Sammy" Samwell on guitar, Terry Smart on drums and Norman Mitham on guitar. None of the other three played with the later and better known Shadows, although Samwell wrote songs for Richard's later career.
For his debut session, Norrie Paramor provided Richard with "Schoolboy Crush", a cover of an American record by Bobby Helms. Richard was permitted to record one of his own songs for the B-side; this was "Move It", written by the Drifters' Samwell on a number 715 Green Line bus on the way to Richard's house for a rehearsal. For the Move It session Paramor used the session guitarist Ernie Shears on lead-guitar and Frank Clark on bass.
There are a number of stories about why the A-side was replaced by the intended B-side. One is that Norrie Paramor's young daughter raved about the B-side; another was that influential TV producer Jack Good, who used the act for his TV show Oh Boy!, wanted the only song on his show to be "Move It".[4]
The single went to No. 2 on the UK charts. Music critics Roy Carr and Tony Tyler wrote that it was the first genuine British rock classic, followed by Johnny Kidd and the Pirates's "Shakin' All Over". John Lennon was quoted as saying that "Move It" was the first English rock record.
In the early days, Cliff Richard was marketed as the British equivalent to Elvis Presley. As did previous British rockers such as Tommy Steele and Marty Wilde, Richard adopted Presley-like dress and hairstyle. In performance he struck a pose of rock attitude, rarely smiling or looking at the audience or camera. His late 1958 and early 1959 follow-up singles, "High Class Baby" and "Livin' Lovin' Doll", were followed by "Mean Streak" which carried a rocker's sense of speed and passion, and Lionel Bart's "Living Doll". It was on "Living Doll" that the Drifters began to back Richard on record. By that time the group's lineup had changed with the arrival of Jet Harris, Tony Meehan, Hank Marvin, and Bruce Welch. The group was obliged to change its name to "The Shadows" after legal complications with the U.S. Drifters.
The Shadows were not a typical backing group. They would become contractually separate from Richard, and the group received no royalties for records backing Richard. In 1959, The Shadows (then still the Drifters) landed an EMI recording contract of their own, for independent recordings. That year, they released three singles, two of which featured double-sided vocals and one of which had instrumental A and B sides. In 1960, they recorded and released "Apache". Reaching the top of the charts in more than one country, the single set the Shadows on a path of their own. They thereafter had several major hits, including five UK No. 1s. The band also continued to appear and record with Richard and wrote many of his hits. On more than one occasion, a Shadows' instrumental replaced a Richard song atop the British charts.
Richard's fifth single "Living Doll" triggered a softer, more relaxed, sound. Subsequent hits, the No. 1s "Travellin' Light" and "I Love You" and also "A Voice in the Wilderness" and "Theme for a Dream" cemented Richard's status as a mainstream pop entertainer along with contemporaries such as Adam Faith and Billy Fury. Throughout the early sixties his hits were consistently in the top five.
Typically, The Shadows closed the first half of the show with a 30-minute set of their own, then backed Richard on his show-closing 45-minute stint. Tony Meehan and Jet Harris left the group in 1961 and 1962 respectively and later had their own chart successes. The Shadows added bass players and took on Brian Bennett on drums.
In the early days, Richard sometimes recorded without The Shadows in order to cater to other styles. Even after the Beatles' rise he continued to achieve hits, although more often with an orchestra rather than The Shadows: a revival of "It's All In The Game" and "Constantly". A session under the direction of Billy Sherrill in Nashville yielded two more top two hits: "The Minute You're Gone" and "Wind Me Up" in 1965.
Cliff Richard and The Shadows never achieved hit status in the United States. In 1960 they toured the U.S. and were well-received; however, lacklustre support and distribution from the record company proved costly, and the chance was lost. The band appeared on The Ed Sullivan Show, which was crucial for The Beatles', but these performances did not help them gain success in North America.
Richard and The Shadows appeared in six feature films, including a rather odd debut in the 1959 film Serious Charge but most notably in The Young Ones, (the title song being his biggest hit up to "Mistletoe and Wine"); Summer Holiday (which featured a slimmed-down Richard with visible dancing skills), Wonderful Life and Finders Keepers. These films created their own genre known as the "Cliff Richard musical" and led to Richard being named the number one cinema box office attraction in Britain for both 1962 and 1963. The irreverent 1980s TV sitcom The Young Ones took its name from Richard's 1962 movie, and also made references to the singer. In 1966, Richard and the Shadows appeared as marionettes in the Gerry Anderson film Thunderbirds Are GO. In the summer of 1963 Cliff and the Shadows appeared for a season in Blackpool, where Cliff had his portrait modelled by Victor Heyfron, M.A.
1964–1975: Changing circumstances
As with the other existing rock acts in Britain, Richard's career was affected by the sudden advent of The Beatles and the Mersey sound in 1963 and 1964. However, his popularity was established enough to allow him to weather the storm and continue to have hits in the charts throughout the 1960s, albeit not at the level that he had enjoyed before. Nor did doors open to him in the U.S. market; he was not considered part of the British Invasion, despite four Hot 100 hits (including the top 25 "It's All In The Game") between August 1963 and August 1964, and the U.S. public had little awareness of him. However, he continued having international hits, including 1967's "The Day I Met Marie", which reached #10 in the UK Singles Chart and #5 in the Australian charts, and is considered a quintessential summer hit, due to its summery nature.
Although baptised as an Anglican Christian, Richard did not appear to practise the faith in his early years. However, in 1964, he became an active Christian and this conversion has become an important aspect of his life. Standing up publicly as a Christian affected his career in several ways. Initially, he believed that he should quit rock 'n roll, feeling he could no longer be the rocker who had been called a "crude exhibitionist" and "too sexy for TV" and a threat to parents' daughters. However, by the time Richard converted, his image had become tamer due to his film roles and well-spoken manners on radio and TV. Richard intended at first to 'reform his ways' and become a teacher, but Christian friends advised him not to abandon his career just because he had become a Christian. Soon after, Cliff Richard re-emerged, performing with Christian groups and recording some Christian material. He still recorded secular songs with the Shadows, but devoted a lot of his time to Christian work, including appearances with the Billy Graham crusades. As time progressed, Richard balanced his faith and work, enabling him to remain one of the most popular singers in Britain as well as one of its best-known Christians. He was a leading figure in the Nationwide Festival of Light during 1971, protesting against the commercial exploitation of sex and violence in Britain, and advocating the teaching of Christ as the key to recovering moral stability in the nation.[citation needed]
Cliff Richard's first serious acting role took place in the 1967 film Two a Penny, released by Billy Graham's World Wide Pictures,[5] in which he played a young man who gets involved in drug dealing while questioning his life after his girlfriend changes her attitude. He released the live album "Cliff in Japan", which featured Olivia Newton-John as backing singer and John Farrar on guitar (Farrar would later be Newton-John's producer).
Also in 1968 he sang the UK's entry in the Eurovision Song Contest: "Congratulations" by Bill Martin and Phil Coulter; it lost by just one point to Spain's "La La La". According to John Kennedy O'Connor's The Eurovision Song Contest — The Official History, this was the closest yet result in the contest and Richard locked himself in the toilet to avoid the nerves of the voting.[6] In May 2008 a Reuters news report claimed that voting in the competition had been fixed by the host country's dictator leader, Francisco Franco, to ensure that the Spanish entry won, allowing them to host the contest the following year (1969). In particular, it is claimed that Spanish television executives offered to buy programmes in exchange for votes.[7] This has not been proved beyond doubt, but it is thought likely. Eurovision later ended voting by national juries in a bid to eradicate such scams.
Nevertheless, "Congratulations" was a huge hit throughout Europe and yet another No.1 in April. In 1973 he sang the British entry Power to All Our Friends; the song finished third, close behind Luxembourg's "Tu Te Reconnaîtras" and Spain's "Eres Tú". This time, Richard took valium in order to overcome his nerves and his manager was almost unable to wake him for the performance.[8] Richard also hosted the BBC's qualifying heat for the Eurovision Song Contest, "A Song for Europe," in 1970, 1971 and 1972 as part of his BBCTV variety series. He presented the Eurovision preview programmes for the BBC in 1971 and 1972.
After the Shadows split in 1968, Richard continued to record. He had already become accustomed to the Shadows' absence, and was able to record in a variety of settings. Although many of his earliest fans regretted that Richard had tried out songs which were not strictly in the rock 'n roll genre, most had got used to his habit of recording rockier material with the Shadows, while producing more middle-of-the-road material at other times; this versatility extended Richard's career prospects.
During the 1970s, Richard took part in television shows, such as It's Cliff, many of which also starred Hank Marvin and Una Stubbs, and which included A Song for Europe. These shows, for a time, branded Cliff Richard as a television personality more than a recording artist. In 1972, he made a short BBC television comedy film called The Case with appearances from comedians and his first-ever duets with a woman, Olivia Newton-John. In 1973 he starred in the film Take Me High.
1976–1994: Comeback
In 1976 the decision was made to repackage Cliff Richard as a "rock" artist. That year he produced the landmark album I'm Nearly Famous, which included the successful but controversial guitar-driven track "Devil Woman" (Richard's first true hit in the United States) and the ballad "Miss You Nights". Richard's fans were excited about this revival of a performer who had been a part of British rock from its early days. Many music names such as Jimmy Page, Eric Clapton, and Elton John were seen sporting I'm Nearly Famous badges, pleased that their boyhood idol was getting back into the heavier rock in which he had begun his career.
Notwithstanding this, Richard continued to release Gospel-tinged albums in parallel with his rock and pop albums, for example: Small Corners from 1978 contained the single "Yes He Lives". Despite his 1976 comeback, this single failed to chart in the United Kingdom. In 1980, the singer officially changed his name by deed poll from Harry Webb to Cliff Richard.[9]
In 1979, Richard teamed up with the producer Bruce Welch for the pop hit single "We Don't Talk Anymore", which hit #1 in the UK and #7 in the U.S. Brian Ferry added the backing vocals to the song, however, he only hummed the backing vocals, he didn't actually ever sing. The record gave Richard the distinction of becoming the first act to reach the Hot 100 in the 1980s who had also reached the Hot 100 in each of the three previous decades. The song was quickly added onto the end of his latest album Rock 'n' Roll Juvenile. It was his first time at the top of the UK singles chart in over ten years, and the song would become his biggest-selling single ever. The accompanying music video was the sixth to appear on American cable channel MTV when it debuted Aug. 1, 1981.
At long last he had some extended success in the United States following "Devil Woman": the follow-up "Dreaming" also reached the top ten, peaking at #10. His 1980 duet "Suddenly" with Olivia Newton-John, from the film Xanadu, was a Top 20 hit in America, peaking at #20. Richard continued with a string of top ten albums, including I'm No Hero, Wired For Sound, Now You See Me, Now You Don't, and, marking his 25th year in show business, Silver. The singles chart also saw his most consistent period of top twenty hits since the mid 1960s, with three of them on the Hot 100 at the same time at the end of 1980. His 1985 single "She's So Beautiful" reached No.17 in the UK. 1987 saw Richard record his Always Guaranteed album, which became his best selling album of all new material. It contained the two top ten hit singles, "My Pretty One" and "Some People". Richard concluded his thirtieth year in music in spectacular chart style, reaching number one on the British singles chart with "Mistletoe and Wine", while simultaneously holding the number one positions on the album and video charts with the compilation Private Collection summing up his biggest hits from 1979-1988. "Mistletoe and Wine" was his biggest seller to that point.
In 1986, Richard teamed up with The Young Ones to re-record his smash hit "Living Doll" for the charity Comic Relief. Along with the song, the recording contained comedy dialogue between Richard and The Young Ones. The release went to no.1. That same year he opened in the West End as a rock musician called upon to defend Earth in a trial set in the Andromeda Galaxy in the multi-media Dave Clark musical Time.
Further top ten albums included Stronger in 1989, which included the UK No.2 hit "Best Of Me", and UK No.3 "Just Don't Have The Heart" written and produced by Mike Stock, Matt Aitken and Pete Waterman , From a Distance in 1990. Later that year, Richard scored his second UK Christmas No. 1 single with Saviour's Day. Richard unsuccessfully bidded for the Christmas No.1 spot again with We Should Be Together and Healing Love in 1991 and 1993 respectively - the latter being taken from his No.1 studio album Cliff Richard - The Album. The next few years saw Richard concentrate on bringing the musical Heathcliff to the stage. The production was a resounding success, but the time it took seemed to take a toll on his reinvigorated chart status. Back in the UK during the next years and throughout the 1980s, Richard remained one of the best-known music artists in the country. In the space of a few years he worked with Elton John, Mark Knopfler, Julian Lennon, Freddie Mercury, Stevie Wonder, Phil Everly, Janet Jackson, Sheila Walsh, and Van Morrison. Richard also reunited with Olivia Newton-John. In 1989, he filled the Wembley Stadium for a few nights with a spectacular titled "The Event". Meanwhile, the Shadows later re-formed (and again split). They recorded on their own, but also reunited with Richard in 1978, 1984, and 1989-90 for some concerts. On 14 June, 2004 Cliff Richard joined the Shadows onstage at the London Palladium. The Shadows had decided to re-form for one final tour of the UK, with this concert heralded as their final ever concert as "Cliff and the Shadows."
1995: Sir Cliff
Cliff Richard was knighted on 25 October, 1995, the first rock star to be so honoured (Bob Geldof had received his honorary knighthood a full nine years earlier, but as a non-British citizen, he is not permitted to use the accolade 'Sir', whether in the UK or abroad). Richard was knighted ahead of Paul McCartney (1997), Elton John (1998), Mick Jagger and Tom Jones. In 1998, Richard demonstrated that radio stations were refusing to play his music by releasing his latest single "Can't Keep This Feeling In" on a white label under the pseudonym of Blacknight. The single was well regarded and featured on playlists until the true artist was revealed.[10] In 1999, controversy arose regarding radio stations refusing to play his releases when EMI, Richard's label since 1958, refused to release his latest song, "Millennium Prayer". Richard took it to an independent label, Papillon, which released the charity recording (in aid of Children's Promise). The single went on to top the UK chart for three weeks, his fourteenth No.1, and the third highest-selling single of his career. Richard's next album (2001) was a covers project, Wanted, followed by another top ten album with Cliff at Christmas. The holiday album contained both new and older recordings, including the single "Santa's List", which reached No.5 in 2003. Richard decamped to Nashville, Tennessee for his next album project in 2004, employing a writer's conclave to give him the pick of all new songs for the album Something's Goin' On. Though the collection was critically well-received, it had disappointing sales. Nevertheless it was yet another top ten album, and produced three top fifteen singles: "Something's Goin' On", "I Cannot Give You My Love", with Barry Gibb of the Bee Gees, and the lively "What Car". Richard did not hide his disappointment with the album's lacklustre sales, and it was speculated that it might have been his last ever album of original songs.
Cliff Richard finished number 56 in the 2002 100 Greatest Britons list, sponsored by the BBC and voted for by the public. Adored especially by baby boomer women, many of whom camp out for his concert tickets, he has become a fixture of the British entertainment world and once led the Wimbledon Centre Court crowd in singing during a rain delay in 1996.
2006 saw Richard's album of duets, (another top 10 success) including newly-recorded material with Brian May, Dionne Warwick, Anne Murray, Barry Gibb and Daniel O'Donnell, plus some previously recorded duets with artists such as Phil Everly, Elton John and Olivia Newton-John. Released to coincide with the UK leg of his latest world tour, the album "Here and Now" includes a number of lesser known, but fan-favourite songs including, My Kinda Life, How Did She Get Here, Hey Mr. Dream Maker, For Life, A Matter Of Moments, When The Girl In Your Arms, Every Face Tells A Story, Peace In Our Time and the Christmas single 21st Century Christmas, which debuted at No.2 on the UK singles chart.
Richard's mother, Dorothy Webb, suffered from dementia. In a September 2006 interview with the Daily Mail, he spoke about the difficulties he and his sisters had in dealing with their mother's condition.[11] On 18 October, 2007 a statement on the star's website read, "We are sad to report that Cliff's mother, Dorothy, passed away early on 17 October; she was 87."
Another compilation album, Love... The Album was released on 12 November. Like Two's Company before it, this album includes both previously released material and newly-recorded songs, namely Waiting For A Girl Like You, When You Say Nothing At All, All Out Of Love, If You're Not the One and When I Need You (the latter was released as a single, reaching Number 38), (the album peaked at number 13). The concept of the project has divided fans who anticipate an album of new material.
In 2008, Richard's 50th year in music, will see the release of the 8CD box set, And They Said It Wouldn't Last (My 50 Years In Music).[12]
In September, a single celebrating his 50 years in pop music, titled * Thank you for a Lifetime has been released. On the 14th of September, 2008, Thank You For A Lifetime, reached No.3 on the UK music charts.
On 2 November, 2008, British newspaper The Mail on Sunday gave away a free promotional CD entitled '50th Anniversary' containing 12 tracks picked by Sir Cliff himself.
On 11 November, 2008, Cliff Richard's Official Homepage announced that 20 years since their latest concert together, Cliff & The Shadows will reunite to celebrate their 50th anniversary in the music business. In the late '50s and early '60s, Cliff & The Shadows dominated the English pop-music scene with their record-breaking careers - together and as solo acts, establishing their impressing place in history of pop. They picked up no less than 19 No 1 hits, like Living Doll, Travellin' Light, Please Don't Tease, Bachelor Boy, Wonderful Land and Apache. They starred together in the still popular films Summer Holiday and The Young Ones.
On 11 December 2008, Cliff Richard and the Shadows performed at the Royal Variety Performance. In 2009 Cliff & The Shadows will bring their partnership to an end with the "Golden Anniversary concert tour of the UK". A new album by Cliff Richard and the Shadows will be released, their first studio project in forty years, but whether it will be remakes of vintage classics or new material is yet to be confirmed.
Entrepreneur
Richard has become joint owner of the Arora International Hotel in Manchester, which opened in June 2004. He also owns a Quinta in the Algarve, Portugal, where he is involved in the production of wines at the Adega do Cantor (“Winery of the Singer”), a state-of-the-art winery in Guia, near Albufeira. In 2006, Cliff Richard received Portugal’s equivalent of a knighthood in recognition of his 40 years of personal and business involvement in that country.
Lack of Commercial Support
Cliff Richard openly complains about the lack of commercial support he receives from radio stations and record labels. He spoke about this on The Alan Titchmarsh Show on ITV in December 2007, pointing out that while new bands needed airplay for promotion and sales, long-established artists like himself also relied upon airplay for the same ends. He did note, however, that so-called eighties radio stations did play his records and that this went some way to help sales and maintain his media presence. In the recent BBC Radio 2 documentary "Cliff - Take Another Look", he pointed out that many documentaries charting the history of British music fail to even mention him.[13]
Cliff Richard's protracted chart success undermines radio stations' claims that he does not enjoy the support of their target audiences. Richard believes he is "the most radical rock star there has ever been".[13] Richard's premise is that his decision not to adopt the "sex, drugs and alcohol" image expected of rock stars, then and now, was the truly avant-garde choice.
Personal life
Richard is a lifelong bachelor.[3] He has said that he once considered marriage to the dancer Jackie Irving, and later to tennis star Sue Barker. Richard currently lives with a former Roman Catholic priest, John McElynn, whom he met in 2001 while doing charity work in the United States.[3] He has been described as Cliff's property manager and looks after his houses while Cliff is away. This friendship has added to long-standing rumours that Richard is gay, a claim that he denied in 1996. Describing McElynn as a close friend and companion, Richard has said: "I am sick to death of the media’s speculation about it... What business is it of anyone else’s what any of us are as individuals? I don’t think my fans would care either way."[3]
He has also gone on record to suggest the Church of England affirm a commitment to same-sex marriage.[3][14] In his recent autobiography, he states clearly that "... many of my friends are gay - let's face it, homosexuality has been legal for more than thirty years. For me, the commitment is what counts - and I'll leave the judging to God." [15]
Cliff Richard in 2006.
Background information
Birth name Harry Roger Webb
Born 14 October 1940 (1940-10-14) (age 68)
Lucknow, United Provinces, British India
Origin London, England, UK
Genre(s) Rock and roll/Pop/Gospel
Occupation(s) Singer/Songwriter, actor and entrepreneur
Instrument(s) Vocals, Guitar
Years active 1958 – present
Label(s) EMI, Decca, Columbia, Epic, Rocket, Papillon
Associated acts The Shadows
Website CliffRichard.org
Sir Cliff Richard OBE (born Harry Roger Webb on 14 October 1940[1]) is an English singer-songwriter and entrepreneur.
With his backing group The Shadows, Richard dominated the British popular music scene in the late 1950s and early 1960s, before and during The Beatles' first year in the charts. A conversion to Christianity and subsequent softening of his music led to his having more of a pop than rock image. He never achieved the same impact in the United States despite several chart singles there, but he has remained a popular music, film, and television personality in the United Kingdom and he retains a following in other countries.
During six decades, Cliff Richard has charted many singles, and holds the record (with Elvis Presley) as the only act to make the UK singles charts in all of its decades (1950s–2000s). He is the only singer to have had a number one single in the UK in five consecutive decades, doing so from the 1950s through to the 1990s. On the British charts, Richard has had more than 130 singles, albums and EPs make the top 20, more than any other artist.[2] He has sold more than 260 million records.[3]
Biography
[edit] 1940–1958: Childhood
Cliff Richard was born to Anglo-Indian parents, at the King George Hospital, Victoria Street, in Lucknow, British India, to Rodger Oscar, a train driver of Indian Rail, and Dorothy Marie (born Dazely) Webb. He was christened on 2 November, 1940 at St Thomas' Church, Dehradun, India. In 1947[?] , following Indian independence, the family moved to Britain.
The Webbs moved from comparative wealth in India where they had servants, to a lower standard of living in Newton Aycliffe, County Durham and were eventually allocated a sub-standard council bungalow. They remained here for three years until 1951, when they were allocated a council house in Cheshunt, Hertfordshire, where Harry attended the local Cheshunt Secondary School which was later renamed Cheshunt School.
Webb became interested in skiffle and formed the Quintones vocal group in 1957. He then sang in the Dick Teague Skiffle Group.
1958–1963: Success and stardom
Harry Webb became lead singer of a rock and roll group, The Drifters (not to be confused with the U.S. group of the same name). Before their first large scale appearance, at the Regal Ballroom in Ripley, Derbyshire, in 1958, they adopted the name "Cliff Richard and the Drifters". The four members were Webb, Ian "Sammy" Samwell on guitar, Terry Smart on drums and Norman Mitham on guitar. None of the other three played with the later and better known Shadows, although Samwell wrote songs for Richard's later career.
For his debut session, Norrie Paramor provided Richard with "Schoolboy Crush", a cover of an American record by Bobby Helms. Richard was permitted to record one of his own songs for the B-side; this was "Move It", written by the Drifters' Samwell on a number 715 Green Line bus on the way to Richard's house for a rehearsal. For the Move It session Paramor used the session guitarist Ernie Shears on lead-guitar and Frank Clark on bass.
There are a number of stories about why the A-side was replaced by the intended B-side. One is that Norrie Paramor's young daughter raved about the B-side; another was that influential TV producer Jack Good, who used the act for his TV show Oh Boy!, wanted the only song on his show to be "Move It".[4]
The single went to No. 2 on the UK charts. Music critics Roy Carr and Tony Tyler wrote that it was the first genuine British rock classic, followed by Johnny Kidd and the Pirates's "Shakin' All Over". John Lennon was quoted as saying that "Move It" was the first English rock record.
In the early days, Cliff Richard was marketed as the British equivalent to Elvis Presley. As did previous British rockers such as Tommy Steele and Marty Wilde, Richard adopted Presley-like dress and hairstyle. In performance he struck a pose of rock attitude, rarely smiling or looking at the audience or camera. His late 1958 and early 1959 follow-up singles, "High Class Baby" and "Livin' Lovin' Doll", were followed by "Mean Streak" which carried a rocker's sense of speed and passion, and Lionel Bart's "Living Doll". It was on "Living Doll" that the Drifters began to back Richard on record. By that time the group's lineup had changed with the arrival of Jet Harris, Tony Meehan, Hank Marvin, and Bruce Welch. The group was obliged to change its name to "The Shadows" after legal complications with the U.S. Drifters.
The Shadows were not a typical backing group. They would become contractually separate from Richard, and the group received no royalties for records backing Richard. In 1959, The Shadows (then still the Drifters) landed an EMI recording contract of their own, for independent recordings. That year, they released three singles, two of which featured double-sided vocals and one of which had instrumental A and B sides. In 1960, they recorded and released "Apache". Reaching the top of the charts in more than one country, the single set the Shadows on a path of their own. They thereafter had several major hits, including five UK No. 1s. The band also continued to appear and record with Richard and wrote many of his hits. On more than one occasion, a Shadows' instrumental replaced a Richard song atop the British charts.
Richard's fifth single "Living Doll" triggered a softer, more relaxed, sound. Subsequent hits, the No. 1s "Travellin' Light" and "I Love You" and also "A Voice in the Wilderness" and "Theme for a Dream" cemented Richard's status as a mainstream pop entertainer along with contemporaries such as Adam Faith and Billy Fury. Throughout the early sixties his hits were consistently in the top five.
Typically, The Shadows closed the first half of the show with a 30-minute set of their own, then backed Richard on his show-closing 45-minute stint. Tony Meehan and Jet Harris left the group in 1961 and 1962 respectively and later had their own chart successes. The Shadows added bass players and took on Brian Bennett on drums.
In the early days, Richard sometimes recorded without The Shadows in order to cater to other styles. Even after the Beatles' rise he continued to achieve hits, although more often with an orchestra rather than The Shadows: a revival of "It's All In The Game" and "Constantly". A session under the direction of Billy Sherrill in Nashville yielded two more top two hits: "The Minute You're Gone" and "Wind Me Up" in 1965.
Cliff Richard and The Shadows never achieved hit status in the United States. In 1960 they toured the U.S. and were well-received; however, lacklustre support and distribution from the record company proved costly, and the chance was lost. The band appeared on The Ed Sullivan Show, which was crucial for The Beatles', but these performances did not help them gain success in North America.
Richard and The Shadows appeared in six feature films, including a rather odd debut in the 1959 film Serious Charge but most notably in The Young Ones, (the title song being his biggest hit up to "Mistletoe and Wine"); Summer Holiday (which featured a slimmed-down Richard with visible dancing skills), Wonderful Life and Finders Keepers. These films created their own genre known as the "Cliff Richard musical" and led to Richard being named the number one cinema box office attraction in Britain for both 1962 and 1963. The irreverent 1980s TV sitcom The Young Ones took its name from Richard's 1962 movie, and also made references to the singer. In 1966, Richard and the Shadows appeared as marionettes in the Gerry Anderson film Thunderbirds Are GO. In the summer of 1963 Cliff and the Shadows appeared for a season in Blackpool, where Cliff had his portrait modelled by Victor Heyfron, M.A.
1964–1975: Changing circumstances
As with the other existing rock acts in Britain, Richard's career was affected by the sudden advent of The Beatles and the Mersey sound in 1963 and 1964. However, his popularity was established enough to allow him to weather the storm and continue to have hits in the charts throughout the 1960s, albeit not at the level that he had enjoyed before. Nor did doors open to him in the U.S. market; he was not considered part of the British Invasion, despite four Hot 100 hits (including the top 25 "It's All In The Game") between August 1963 and August 1964, and the U.S. public had little awareness of him. However, he continued having international hits, including 1967's "The Day I Met Marie", which reached #10 in the UK Singles Chart and #5 in the Australian charts, and is considered a quintessential summer hit, due to its summery nature.
Although baptised as an Anglican Christian, Richard did not appear to practise the faith in his early years. However, in 1964, he became an active Christian and this conversion has become an important aspect of his life. Standing up publicly as a Christian affected his career in several ways. Initially, he believed that he should quit rock 'n roll, feeling he could no longer be the rocker who had been called a "crude exhibitionist" and "too sexy for TV" and a threat to parents' daughters. However, by the time Richard converted, his image had become tamer due to his film roles and well-spoken manners on radio and TV. Richard intended at first to 'reform his ways' and become a teacher, but Christian friends advised him not to abandon his career just because he had become a Christian. Soon after, Cliff Richard re-emerged, performing with Christian groups and recording some Christian material. He still recorded secular songs with the Shadows, but devoted a lot of his time to Christian work, including appearances with the Billy Graham crusades. As time progressed, Richard balanced his faith and work, enabling him to remain one of the most popular singers in Britain as well as one of its best-known Christians. He was a leading figure in the Nationwide Festival of Light during 1971, protesting against the commercial exploitation of sex and violence in Britain, and advocating the teaching of Christ as the key to recovering moral stability in the nation.[citation needed]
Cliff Richard's first serious acting role took place in the 1967 film Two a Penny, released by Billy Graham's World Wide Pictures,[5] in which he played a young man who gets involved in drug dealing while questioning his life after his girlfriend changes her attitude. He released the live album "Cliff in Japan", which featured Olivia Newton-John as backing singer and John Farrar on guitar (Farrar would later be Newton-John's producer).
Also in 1968 he sang the UK's entry in the Eurovision Song Contest: "Congratulations" by Bill Martin and Phil Coulter; it lost by just one point to Spain's "La La La". According to John Kennedy O'Connor's The Eurovision Song Contest — The Official History, this was the closest yet result in the contest and Richard locked himself in the toilet to avoid the nerves of the voting.[6] In May 2008 a Reuters news report claimed that voting in the competition had been fixed by the host country's dictator leader, Francisco Franco, to ensure that the Spanish entry won, allowing them to host the contest the following year (1969). In particular, it is claimed that Spanish television executives offered to buy programmes in exchange for votes.[7] This has not been proved beyond doubt, but it is thought likely. Eurovision later ended voting by national juries in a bid to eradicate such scams.
Nevertheless, "Congratulations" was a huge hit throughout Europe and yet another No.1 in April. In 1973 he sang the British entry Power to All Our Friends; the song finished third, close behind Luxembourg's "Tu Te Reconnaîtras" and Spain's "Eres Tú". This time, Richard took valium in order to overcome his nerves and his manager was almost unable to wake him for the performance.[8] Richard also hosted the BBC's qualifying heat for the Eurovision Song Contest, "A Song for Europe," in 1970, 1971 and 1972 as part of his BBCTV variety series. He presented the Eurovision preview programmes for the BBC in 1971 and 1972.
After the Shadows split in 1968, Richard continued to record. He had already become accustomed to the Shadows' absence, and was able to record in a variety of settings. Although many of his earliest fans regretted that Richard had tried out songs which were not strictly in the rock 'n roll genre, most had got used to his habit of recording rockier material with the Shadows, while producing more middle-of-the-road material at other times; this versatility extended Richard's career prospects.
During the 1970s, Richard took part in television shows, such as It's Cliff, many of which also starred Hank Marvin and Una Stubbs, and which included A Song for Europe. These shows, for a time, branded Cliff Richard as a television personality more than a recording artist. In 1972, he made a short BBC television comedy film called The Case with appearances from comedians and his first-ever duets with a woman, Olivia Newton-John. In 1973 he starred in the film Take Me High.
1976–1994: Comeback
In 1976 the decision was made to repackage Cliff Richard as a "rock" artist. That year he produced the landmark album I'm Nearly Famous, which included the successful but controversial guitar-driven track "Devil Woman" (Richard's first true hit in the United States) and the ballad "Miss You Nights". Richard's fans were excited about this revival of a performer who had been a part of British rock from its early days. Many music names such as Jimmy Page, Eric Clapton, and Elton John were seen sporting I'm Nearly Famous badges, pleased that their boyhood idol was getting back into the heavier rock in which he had begun his career.
Notwithstanding this, Richard continued to release Gospel-tinged albums in parallel with his rock and pop albums, for example: Small Corners from 1978 contained the single "Yes He Lives". Despite his 1976 comeback, this single failed to chart in the United Kingdom. In 1980, the singer officially changed his name by deed poll from Harry Webb to Cliff Richard.[9]
In 1979, Richard teamed up with the producer Bruce Welch for the pop hit single "We Don't Talk Anymore", which hit #1 in the UK and #7 in the U.S. Brian Ferry added the backing vocals to the song, however, he only hummed the backing vocals, he didn't actually ever sing. The record gave Richard the distinction of becoming the first act to reach the Hot 100 in the 1980s who had also reached the Hot 100 in each of the three previous decades. The song was quickly added onto the end of his latest album Rock 'n' Roll Juvenile. It was his first time at the top of the UK singles chart in over ten years, and the song would become his biggest-selling single ever. The accompanying music video was the sixth to appear on American cable channel MTV when it debuted Aug. 1, 1981.
At long last he had some extended success in the United States following "Devil Woman": the follow-up "Dreaming" also reached the top ten, peaking at #10. His 1980 duet "Suddenly" with Olivia Newton-John, from the film Xanadu, was a Top 20 hit in America, peaking at #20. Richard continued with a string of top ten albums, including I'm No Hero, Wired For Sound, Now You See Me, Now You Don't, and, marking his 25th year in show business, Silver. The singles chart also saw his most consistent period of top twenty hits since the mid 1960s, with three of them on the Hot 100 at the same time at the end of 1980. His 1985 single "She's So Beautiful" reached No.17 in the UK. 1987 saw Richard record his Always Guaranteed album, which became his best selling album of all new material. It contained the two top ten hit singles, "My Pretty One" and "Some People". Richard concluded his thirtieth year in music in spectacular chart style, reaching number one on the British singles chart with "Mistletoe and Wine", while simultaneously holding the number one positions on the album and video charts with the compilation Private Collection summing up his biggest hits from 1979-1988. "Mistletoe and Wine" was his biggest seller to that point.
In 1986, Richard teamed up with The Young Ones to re-record his smash hit "Living Doll" for the charity Comic Relief. Along with the song, the recording contained comedy dialogue between Richard and The Young Ones. The release went to no.1. That same year he opened in the West End as a rock musician called upon to defend Earth in a trial set in the Andromeda Galaxy in the multi-media Dave Clark musical Time.
Further top ten albums included Stronger in 1989, which included the UK No.2 hit "Best Of Me", and UK No.3 "Just Don't Have The Heart" written and produced by Mike Stock, Matt Aitken and Pete Waterman , From a Distance in 1990. Later that year, Richard scored his second UK Christmas No. 1 single with Saviour's Day. Richard unsuccessfully bidded for the Christmas No.1 spot again with We Should Be Together and Healing Love in 1991 and 1993 respectively - the latter being taken from his No.1 studio album Cliff Richard - The Album. The next few years saw Richard concentrate on bringing the musical Heathcliff to the stage. The production was a resounding success, but the time it took seemed to take a toll on his reinvigorated chart status. Back in the UK during the next years and throughout the 1980s, Richard remained one of the best-known music artists in the country. In the space of a few years he worked with Elton John, Mark Knopfler, Julian Lennon, Freddie Mercury, Stevie Wonder, Phil Everly, Janet Jackson, Sheila Walsh, and Van Morrison. Richard also reunited with Olivia Newton-John. In 1989, he filled the Wembley Stadium for a few nights with a spectacular titled "The Event". Meanwhile, the Shadows later re-formed (and again split). They recorded on their own, but also reunited with Richard in 1978, 1984, and 1989-90 for some concerts. On 14 June, 2004 Cliff Richard joined the Shadows onstage at the London Palladium. The Shadows had decided to re-form for one final tour of the UK, with this concert heralded as their final ever concert as "Cliff and the Shadows."
1995: Sir Cliff
Cliff Richard was knighted on 25 October, 1995, the first rock star to be so honoured (Bob Geldof had received his honorary knighthood a full nine years earlier, but as a non-British citizen, he is not permitted to use the accolade 'Sir', whether in the UK or abroad). Richard was knighted ahead of Paul McCartney (1997), Elton John (1998), Mick Jagger and Tom Jones. In 1998, Richard demonstrated that radio stations were refusing to play his music by releasing his latest single "Can't Keep This Feeling In" on a white label under the pseudonym of Blacknight. The single was well regarded and featured on playlists until the true artist was revealed.[10] In 1999, controversy arose regarding radio stations refusing to play his releases when EMI, Richard's label since 1958, refused to release his latest song, "Millennium Prayer". Richard took it to an independent label, Papillon, which released the charity recording (in aid of Children's Promise). The single went on to top the UK chart for three weeks, his fourteenth No.1, and the third highest-selling single of his career. Richard's next album (2001) was a covers project, Wanted, followed by another top ten album with Cliff at Christmas. The holiday album contained both new and older recordings, including the single "Santa's List", which reached No.5 in 2003. Richard decamped to Nashville, Tennessee for his next album project in 2004, employing a writer's conclave to give him the pick of all new songs for the album Something's Goin' On. Though the collection was critically well-received, it had disappointing sales. Nevertheless it was yet another top ten album, and produced three top fifteen singles: "Something's Goin' On", "I Cannot Give You My Love", with Barry Gibb of the Bee Gees, and the lively "What Car". Richard did not hide his disappointment with the album's lacklustre sales, and it was speculated that it might have been his last ever album of original songs.
Cliff Richard finished number 56 in the 2002 100 Greatest Britons list, sponsored by the BBC and voted for by the public. Adored especially by baby boomer women, many of whom camp out for his concert tickets, he has become a fixture of the British entertainment world and once led the Wimbledon Centre Court crowd in singing during a rain delay in 1996.
2006 saw Richard's album of duets, (another top 10 success) including newly-recorded material with Brian May, Dionne Warwick, Anne Murray, Barry Gibb and Daniel O'Donnell, plus some previously recorded duets with artists such as Phil Everly, Elton John and Olivia Newton-John. Released to coincide with the UK leg of his latest world tour, the album "Here and Now" includes a number of lesser known, but fan-favourite songs including, My Kinda Life, How Did She Get Here, Hey Mr. Dream Maker, For Life, A Matter Of Moments, When The Girl In Your Arms, Every Face Tells A Story, Peace In Our Time and the Christmas single 21st Century Christmas, which debuted at No.2 on the UK singles chart.
Richard's mother, Dorothy Webb, suffered from dementia. In a September 2006 interview with the Daily Mail, he spoke about the difficulties he and his sisters had in dealing with their mother's condition.[11] On 18 October, 2007 a statement on the star's website read, "We are sad to report that Cliff's mother, Dorothy, passed away early on 17 October; she was 87."
Another compilation album, Love... The Album was released on 12 November. Like Two's Company before it, this album includes both previously released material and newly-recorded songs, namely Waiting For A Girl Like You, When You Say Nothing At All, All Out Of Love, If You're Not the One and When I Need You (the latter was released as a single, reaching Number 38), (the album peaked at number 13). The concept of the project has divided fans who anticipate an album of new material.
In 2008, Richard's 50th year in music, will see the release of the 8CD box set, And They Said It Wouldn't Last (My 50 Years In Music).[12]
In September, a single celebrating his 50 years in pop music, titled * Thank you for a Lifetime has been released. On the 14th of September, 2008, Thank You For A Lifetime, reached No.3 on the UK music charts.
On 2 November, 2008, British newspaper The Mail on Sunday gave away a free promotional CD entitled '50th Anniversary' containing 12 tracks picked by Sir Cliff himself.
On 11 November, 2008, Cliff Richard's Official Homepage announced that 20 years since their latest concert together, Cliff & The Shadows will reunite to celebrate their 50th anniversary in the music business. In the late '50s and early '60s, Cliff & The Shadows dominated the English pop-music scene with their record-breaking careers - together and as solo acts, establishing their impressing place in history of pop. They picked up no less than 19 No 1 hits, like Living Doll, Travellin' Light, Please Don't Tease, Bachelor Boy, Wonderful Land and Apache. They starred together in the still popular films Summer Holiday and The Young Ones.
On 11 December 2008, Cliff Richard and the Shadows performed at the Royal Variety Performance. In 2009 Cliff & The Shadows will bring their partnership to an end with the "Golden Anniversary concert tour of the UK". A new album by Cliff Richard and the Shadows will be released, their first studio project in forty years, but whether it will be remakes of vintage classics or new material is yet to be confirmed.
Entrepreneur
Richard has become joint owner of the Arora International Hotel in Manchester, which opened in June 2004. He also owns a Quinta in the Algarve, Portugal, where he is involved in the production of wines at the Adega do Cantor (“Winery of the Singer”), a state-of-the-art winery in Guia, near Albufeira. In 2006, Cliff Richard received Portugal’s equivalent of a knighthood in recognition of his 40 years of personal and business involvement in that country.
Lack of Commercial Support
Cliff Richard openly complains about the lack of commercial support he receives from radio stations and record labels. He spoke about this on The Alan Titchmarsh Show on ITV in December 2007, pointing out that while new bands needed airplay for promotion and sales, long-established artists like himself also relied upon airplay for the same ends. He did note, however, that so-called eighties radio stations did play his records and that this went some way to help sales and maintain his media presence. In the recent BBC Radio 2 documentary "Cliff - Take Another Look", he pointed out that many documentaries charting the history of British music fail to even mention him.[13]
Cliff Richard's protracted chart success undermines radio stations' claims that he does not enjoy the support of their target audiences. Richard believes he is "the most radical rock star there has ever been".[13] Richard's premise is that his decision not to adopt the "sex, drugs and alcohol" image expected of rock stars, then and now, was the truly avant-garde choice.
Personal life
Richard is a lifelong bachelor.[3] He has said that he once considered marriage to the dancer Jackie Irving, and later to tennis star Sue Barker. Richard currently lives with a former Roman Catholic priest, John McElynn, whom he met in 2001 while doing charity work in the United States.[3] He has been described as Cliff's property manager and looks after his houses while Cliff is away. This friendship has added to long-standing rumours that Richard is gay, a claim that he denied in 1996. Describing McElynn as a close friend and companion, Richard has said: "I am sick to death of the media’s speculation about it... What business is it of anyone else’s what any of us are as individuals? I don’t think my fans would care either way."[3]
He has also gone on record to suggest the Church of England affirm a commitment to same-sex marriage.[3][14] In his recent autobiography, he states clearly that "... many of my friends are gay - let's face it, homosexuality has been legal for more than thirty years. For me, the commitment is what counts - and I'll leave the judging to God." [15]
สมัครสมาชิก:
บทความ (Atom)
 |